boat

It is the end of the world, as we know it — it is time to cross the Styx. We have many obols, but we have no tongue. The ferryman — a possessive old man — cannot find his oar. The boat is gone as well, it rests ashore, broken. We all feel that we must get across to the other side. The City of Dis is there — perhaps it will be our rescue? But how? What for? Perhaps we shall stay right where we are?

No!

We must get over there. We have already drunk too much water from the river of sadness. Soon, there will be no room for us here. The boat is the key, but the angel has not sent the instrument. We are left alone, with no faith. The sages suggest boats made of stone. Let us listen to them. We have nothing to lose. In the end, they brought us here, to the shore. The crossing may be possible. From now on, our time will be counted down by floating white poplar leaves.

Jacqueline Terrassa Named Director of Colby College Museum

Valentinas Klimašauskas and João Laia to Curate 14th Baltic Triennial

Gary Garrels, the San Francisco Museum of Modern Art’s Longtime Chief Curator, Resigns Amid Staff Uproar

Mary-Dailey Desmarais Named Director of Curatorial Division at Montreal Museum of Fine Arts

dealer David Zwirner Lays Off Dozens Ahead of a Projected 30 Percent Drop in Art Sales

Husband-and-Wife Dealers Amalia Dayan and Adam Lindemann Are Now Marrying Their Separate Galleries in a Joint Hamptons Outpost

Expanding Its Presence in Switzerland, Hauser & Wirth Opens New Public Space in Zurich

Dealer Sean Kelly Is Reading About Winston Churchill and Scrambling to Reschedule Canceled Shows

Guggenheim Curator Alexandra Munroe Is Helping Ai Weiwei Sell Masks for Charity and Training Her New Puppy

11 HeavenHell Art Gallery Director Nicole Zambrano Wants Her Clients to Pay in Cryptocurrency

German Gallerist Alexander Kunkel On Why He Thinks Boutique Fairs Will Thrive In Years to Come

Curator Natalie King Is Taking Podcast Lessons and Making Shakshuka While Developing New Zealand’s Venice Biennale Pavilion

Danish Collector Jens Faurschou Is Selling Works From His Esteemed Foundation in a Christie’s Online Auction

Hélène de Franchis, Founder of Verona’s Studio La Città, Reflects on the Gallery’s 50th Anniversary

As one private collector shuts down Berlin space, Julia Stoschek threatens to follow

Berlin dealer Johann König stages impromptu fair to coincide with original Art Basel dates in June

Hetty Berg is appointed new director of Jewish Museum Berlin

Monique Meloche Is Hosting Gallery Visits by Appointment and Rewatching the Documentary 13th

Hauser and Wirth Opens Up Its Website to Host an Indie Art Fair That Had to Cancel Its Basel Edition

Senior Curator Nora Lawrence Is Working on a Kiki Smith Show and Taking Up Birdwatching

Art Dealer Xavier Hufkens on Why He’s Opening a Third Space in Brussels Instead of Expanding Abroad

Paris Gallerist Kamel Mennour Turned to Children for an Answer—See Their Responses Here

Hedge-Fund Manager Ken Griffin Just Bought a Basquiat From Peter Brant for More Than $100 Million

Swiss Collector Uli Sigg on Why Hong Kong Remains the Best Home for His Unparalleled Chinese Art Collection

How Hans Ulrich Obrist and Other Super-Curators Transformed the Paradigm of Exhibition-Making—for Good and for Ill

Sources directed my attention to a scathing letter addressed to Marc Spiegler penned by a certain prominent European dealer

Monique Meloche, art dealer

Javier Peres, art dealer

Mariane Ibrahim, art dealer

Etsuko Nakajima, Asia director at Galerie Perrotin

Jordan Schnitzer, collector

Margot Norton, curator at the New Museum

Isabelle Bscher, director at Galerie Gmurzynska

Anna Zorina, art dealer

Beth Rudin Dewoody, art collector

Celine Mo, founder of Victori + Mo Gallery

The Collection of Cable-Television Impresario Ginny Williams, Full of Top-Notch Works by Women, Could Fetch $50 Million at Sotheby’s

German Art Collector Julia Stoschek Is Digitizing Her Collection and Baking Chocolate Cake

Dealer and collector Helga de Alvear, who runs a Madrid-based gallery, has donated €1 million to efforts dedicated to finding a Covid-19 vaccine

The Contemporary Istanbul fair has named a new director: Melih İsmail İnan, who has worked with Contemporary Istanbul for nearly a decade

The New York–based Andrew W. Mellon Foundation has hired Deborah Cullen-Morales as a program officer in its Arts and Cultural Heritage division

David Zwirner, one of the world’s biggest galleries, has announced the launch of Platform: Los Angeles, an online viewing room that will feature 13 Los Angeles–based galleries

Hauser & Wirth gallery is selling artworks created by staffers and their family members in bi-weekly exhibitions

How Can Art Dealers Survive the COVID-19 Crisis?

Dealer Inigo Philbrick Says He’s Not Contacting Kenny Schachter on Instagram

Trevor Schoonmaker Named Director of Nasher Museum—and More from April 21, 2020

Bill de Blasio’s 2021 Budget Would See a Significant Decrease in Funding for New York’s Museums, Already Hit Hard by the Lockdown

Gallerist Jack Shainman Rides Horses, Plans Exhibition Schedules, and Makes Omelettes in Isolation

Charles Saatchi Is Selling Another 100 Works From His Gallery’s Collection in an Affordable Online Sale Through Christie’s

A Collapsing Art Market Will Hurt Underrepresented Artists the Most. Here’s How to Ensure Their Voices Are Not Lost

Spanish Dealer Guillermo de Osma On the Fallout From the Coronavirus

Art-Fair Director Kamiar Maleki on the Work That Got Away and the One His Son Can’t Stop Trying to Play With

Venice Biennale Artistic Director Cecilia Alemani Is Spending Her Days Doing Skype Studio Visit Marathons

Just Ask Laura Raicovich of the Leslie-Lohman Museum

The National Gallery of Art Returned a Picasso to the Heirs of a German-Jewish Banker Last Week. This Week, Gagosian Is Selling It for $10 Million

With the Launch of Two More Online Sales Initiatives, Mega-Gallerist David Zwirner Says He Is Already Envisioning Less Need for Art Fairs

Oh, Gods of Dust and Rainbows, the 2022 edition is being curated by Projects Projects founder Prem Krishnamurthy and Art21 executive director and chief curator Tina Kukielski.

The Whitney curator Barbara Haskell

Hauser & Wirth to Donate 10 Percent of Profits from Online Sales to WHO Coronavirus Fund

Canceled Amid Coronavirus Crisis, Frieze New York Gives Exhibitors Full Refunds, Launches Online Viewing Room

David Zwirner Gallery Lends a Hand to Shuttered New York Galleries by Hosting Them in a Dedicated Viewing Room

A Writer Remembers Late New York Dealer Paul Kasmin

Lorenzo Fusi has been appointed artistic director and chief curator of the inaugural Yerevan Biennial

David Zwirner, Victoria Miro Sign on for New Extended Reality App for Art Galleries Vortic, which bills itself as an “extended reality platform for the art world,” has created a product called Vortic Curate that allows galleries to create custom exhibitions in a virtual scan of their existing brick-and-mortar spaces or otherwise digital galleries of different dimensions

The KW Institute for Contemporary Art in Berlin has made four curatorial appointments. Kathrin Bentele and Léon Kruijswijk, who joined the KW as an assistant curator and curatorial fellow, respectively, have been named assistant curators. Clémentine Deliss, a previous director of the Weltkulturen Museum in Frankfurt, has been named associate curator.

Disgraced Dealer Helge Achenbach Was Once the Toast of Germany’s Art World. In a New Memoir, He Details His Spectacular Fall

Collector François Pinault’s Much-Anticipated Private Museum in Paris Postpones Opening Until Fall 2020

Condo Founder Vanessa Carlos Thought Collaboration Could Save Small Galleries

Billionaire art dealer David Nahmad, who owns over 300 works by Picasso, gives a tour of his Monaco home

Gonzalo Casals, Director of Leslie-Lohman Museum, Named Next Commissioner of Cultural Affairs for New York City

Francesco Bonami on Italy and the Coronavirus

Rural German Monks Hope Their Abbey’s New Gerhard Richter-Designed Stained Glass Windows Will Help Convert Art Lovers to the Church

Jay McKean Fisher, a longtime curator and the inaugural director of the Ruth R. Marder Center for Matisse Studies at the Baltimore Museum of Art, will retire later this month after 45 years at the institution

the young art dealer Inigo Philbrick.

Bernardo Paz, Top Brazilian Art Collector and Founder of Inhotim, Cleared of Money Laundering Charges

Nelson-Atkins Names Deputy Director of Curatorial Affairs—and More from February 27, 2020